Artists who meet the criteria below may apply:

• Musicians at the beginning of a solo career who are not under North American management (see exceptions below)
• Instrumentalists must be 16 to 28 years old, singers must be 20 to 30 years old, and the average age of ensembles must be 30 or less, as of as of October 27, 2024.
• Winners must be available to perform concert engagements in North America for a minimum of six weeks (two three-week periods) between September and May of each concert season.
• Musicians who have applied in previous years may re-apply at the discretion of Young Concert Artists by offering new repertoire. If you auditioned in 2023, you do not need to submit letters of recommendation.
• Young Concert Artists welcomes applications from chamber ensembles, percussionists and unusual instruments. The 2024 auditions are closed to the following: cello, percussion, and piano duo (two pianos).

Eligibility exceptions for artists with management:

• Artists already under management outside of North America: along with your application, please submit a letter from your management to Young Concert Artists with the following statement:

“In the interest of developing a career in North America for [artist’s name], I hereby give permission and approval for [artist’s name] to enter the Young Concert Artists International Auditions, and agree, without reservation, that should [artist’s name] be selected as a winner of the Auditions, he/she may be represented by Young Concert Artists on an exclusive basis for all engagements in North America for a period of three years; that I will make available to Young Concert Artists a minimum of two three-week periods between September and May of each season in his/her schedule for North American engagements; and that I will take no commission on engagements booked by Young Concert Artists.”

• Singers already under management who wish to perform non-opera engagements through Young Concert Artists: along with your application, submit a letter from your management to Young Concert Artists with the following statement:

“In the interest of developing a new public for a wide variety of vocal repertoire, and in creating new performance opportunities for young singers, I hereby give permission and approval for [singer’s name] to enter the Young Concert Artists International Auditions, and agree, without reservation, that should [singer’s name] be selected as a winner of the Auditions, he/she may be represented by Young Concert Artists on an exclusive basis for non-opera engagements in North America for a period of three years.”

Using these criteria, Young Concert Artists reserves the right to accept or reject applications.

Start your application here. In your application you will be asked to submit the following:

• Biography or résumé
• High Resolution Headshot 
• Two letters of recommendation from professional musicians specifically describing your potential for a concert career. (Recommenders must submit their letters directly to the application portal.)
• Application fee. Once your application has been accepted, this fee is non-refundable. YCA offers application fee waivers on the basis of financial need. For more information, contact auditions(at)yca.org.

Early deadline: Monday, June 3, 2024 ($65 fee)
Final deadline: Thursday, August 1, 2024 ($95 fee)

After submitting your application, we will notify you once it has been approved. At that point, your participation in the 2024 auditions will be confirmed. We will be in touch to schedule the exact date and time of your live audition.

Format of the auditions: During your live preliminary round and semi-final round auditions, you will perform selections from the works you have submitted in your application. For these rounds, which last 15-20 minutes, you will choose the first work. If that work is longer than 5-6 minutes, the jury may interrupt you so that there is time to hear other works. For the remainder of the audition, the jury will select the works they would like to hear next. You will not know in advance which works they will ask you to perform.

For the final round, you will create a 25-minute recital program, to be played without interruption before the final jury and live audience. You have the option to choose repertoire not included in your application if you wish.

Results: If you are selected to advance to the semi-final round, you will be notified in the last week of September.

Selection Process: Winners are selected by a jury of distinguished musicians. The criteria are exceptional musicianship, virtuosity, individuality, projection as a performer, and promise. Musicians compete against a standard of excellence, not each other, and there can be any number of winners each year.

Accompanists: you are responsible for providing your own pianist (and page turner) if needed. If you need help finding a pianist, please contact auditions(at)yca.org.

Please note: you are responsible for travel, housing and other expenses related to your participation in the auditions.

LIVE AUDITION REPERTOIRE

Applicants will prepare approximately 60 minutes or more of music consisting of complete works in the categories below.

If you have a compelling reason for proposing a program that does not follow these guidelines, please contact auditions(at)yca.org. All repertoire must be approved by Young Concert Artists.

We encourage you to memorize the music on your program (except for chamber music). If you have questions about about using a score during your audition, please contact auditions(at)yca.org.

Piano, strings, guitar, flute
1. A suite, partita, or other large-scale work of J.S. Bach
2. A sonata or major work from the Classical or Romantic era
3. A work written after 1960
4. Two additional works of your choice (strings and flute: one of these must be a concerto)

Other woodwinds, brass, harp, and other instruments
1. A sonata or major work from the Classical or Romantic era
2. A work written after 1960
3. A concerto
4. Two additional works of your choice

Voice
Prepare a program of 45 minutes or more that includes at least 3 languages. One of the languages must be English (all works in English must be originally written in English), one selection must be written after 1960, and at least one selection must be an operatic aria. Your program should be stylistically varied, and may include selections from the art song tradition, opera, cabaret, or contemporary repertoire. Please organize the order of your selections as you would for a recital program. If you have a compelling reason to propose a program that does not follow these guidelines, please contact auditions(at)yca.org.

Quartets and Trios
1. A work by Haydn or Mozart
2. A work written after 1960
3. Two additional works of your choice

Other Ensembles: present a varied program consisting of four works totaling 60 minutes or more of music. Your program may follow the guidelines above, though you are free to offer alternatives as appropriate for your ensemble. Please include a written statement describing your reason for choosing this program.

 

RECORDED AUDITION REPERTOIRE

Instrumentalists and Ensembles: three complete works in contrasting styles

Voice: Five works representing at least two different languages. One work must be an operatic aria.

Accepted media (files must be uploaded to application portal):
MPEG, MPG, MP4, OGG, MOV, AVI, WMV, M4V, VOB, FLV, up to 4.8GB 
Audio: MP3, OGG, M4A, WMA, WAV, AA, FLAC, up to 750MB

Please note: video recordings are preferred to audio recordings. At least one of your submissions must be a video.

Recordings may be submitted instead of giving a live preliminary audition. Recordings from live performances or commercial recordings are acceptable. The repertoire for your recorded audition can be different from what you will perform in the live semi-final and final rounds. There is no duration requirement for the recorded audition.

Applicants from the recorded preliminary round who advance to the semi-final round must travel to New York City for the live semi-final auditions.